What Do Poseidon and Maserati Have in Common? [ENG/PL]

Poseidon and his trident, Corinthian plaque, 550–525 BC from Penteskouphia (a Greek village near the ancient city of Corinth), phot. Jastrow, 9/10/2006, Wikimedia Commons, Public Domain. Illustration used in student presentations (taken from Irene Di Gioia’s lesson).

The project was realized as a lesson based on materials received form the Faculty of “Artes Liberales”. The class 1TB under my guidance tested the lesson about Poseidon (Meet Poseidon), according to the texts, illustrations, and other teaching aids provided by Ms Irene Di Gioia (Universities of Bologna and Göttingen). The purpose of the lesson was to get to learn about the figure of Poseidon and his Roman counterpart Neptune, follow his presence in culture, and at the end of the exercise, prepare a creative task reflecting our concern about restoring nature and counteract marine pollution in the modern world. We concluded the lesson with a test I prepared in the Kahoot app, which allowed the students who completed it to win small gifts bearing mythological names.

In preparing for the 90-minute-long lesson, I decided to share some of the tasks with the students using Ms Di Gioia’s materials as the basis for our discussion about Poseidon. The learning methods I used for this lesson were:
– a lecture and a discussion with a multimedia presentation,
– tasks divided among groups focusing on a specific topic,
– role playing,
– production of a movie,
– a brainstorming.

The lesson started with a presentation by the teacher – based on available materials: I prepared a Power Point introduction to the lesson including content related to what mythology is, what we need it for, and what influence it has on us. I have also shown what influence – although we often do not see it – ancient culture had on later culture, the surrounding world, and contemporary pop culture (Shakespeare’s plays, The Avengers, the X-Men, certain models of cars).

Statue of Neptune in Bologna by Giambologna, phot. by Monia Mascagni, 2019, Wikimedia Commons, under the Creative Commons Attribution-Share Alike 4.0 License. Photograph used in student presentations, taken from the lesson by Irene Di Gioia.

After my presentation, the students shared the materials they had prepared. One of them played the role of Poseidon and presented this character. Others in the form of presentations introduced: symbology of horses and earthquakes, the image of Poseidon in art and pop culture, the history of Odysseus’ conflict with Polyphemus and the link between this story and the power of Poseidon, the history of the Maserati car brand (its creators – brothers from Bologna who referred to Poseidon). The last activity was the brainstorming, when we were writing down on the board contemporary threats to the seas and reflecting on how we can “help Poseidon” today and protect the cleanliness and good condition of the oceans.

During their work on the tasks, students had to cooperate in order to achieve successful results, especially when making the film based on the myth about Odysseus’ meeting with Polyphemus. Those preparing their presentations had to make a selection among the provided materials, and decide on the optimal graphic form and attractive manner of communication. As it commonly happens in such situations, some students succeeded very well, others limited themselves to an absolute minimum. I supervised the course of the lesson without intervening in the presentations. I noticed that even though the lesson was not open to outside observers and attended only by members of the class, it was still a stressful situation for the students.

Student giving a presentation on Poseidon, from Natalia Konieczna’s archive.

My assessment of the implementation of “The Modern Argonauts” programme is very positive. The students gained from it educationally, but not only – their were motivated by the opportunity to take part in an international project and by the perspective of sharing their impressions as feedback for the handbook including the lesson they implemented, which will be published in Open Access. They also acquired the experience of coping with a public appearance even though on a small scale of performing in front of a small group with which they were already familiar.

As a teacher, I also benefited in many ways from taking part in the project. I realized that combining various methods and mobilizing students impacted their approach to learning; putting an emphasis on their agency and encouraging them to act improves their self-esteem and expectations of success in the area of humanities (beyond mechanics which is the focus of the school). I also saw which aspects I need to work on – mainly those related to improving motivation to act (the entire class could not be successfully mobilized, there were students who did not get involved at all).

Student giving a presentation on Poseidon, from Natalia Konieczna’s archive.

The “Modern Argonauts” project encouraged me to be open to further commitments, and if such opportunities came up, to engage with my students in similar projects. In my opinion, a contemporary school should challenge students in various ways – especially if it is a school like “Samochodówka” [a secondary technical school for motor vehicles]. It is important for education not to be limited to teaching strictly the core curriculum but to engage also in activities going beyond the school’s main obligations (for both students and teaches) and including a broader perspective. At a vocational school, it is easy to neglect or ignore non-core issues; the students many times approach learning with a narrow mind-set focused on “just to get the diploma, just to pass the exams”. Participation in projects like this one introduces a broader perspective and creates motivation to venture into diverse activities, at the same time, building a better relationship between teachers and students.

For more information about “The Modern Argonauts” project, see the following websites:
https://modernargonauts.al.uw.edu.pl
https://en.uw.edu.pl/first-erc-proof-of-concept-grant-in-polish-humanities

Natalia Konieczna
Polish language teacher
at the Bolesław I the Brave School Complex No. 10 in Koszalin

Post by Natalia Konieczna, translated and placed by Olga Strycharczyk, proofread by Elżbieta Olechowska

Teaching Ancient Greece: Lesson Plans, Animations, and Resources, ed. by Sonya Nevin

We are delighted to celebrate the publication of Teaching Ancient Greece: Lesson Plans, Animations, and Resources, the most recent result of the European Research Council (ERC) Consolidator Grant project Our Mythical Childhood… The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges. Teachers and other educators will find this open access volume a treasure trove of material for teaching and learning about ancient world topics, from pottery itself, through sacrifice, music, museums, poetry, drama, marriage, hunting, war and more.

The book Teaching Ancient Greece, edited by Dr Sonya Nevin is available in Open Access.

Teaching Ancient Greece was edited by Sonya Nevin, Assistant Professor at the University of Warsaw’s Faculty of “Artes Liberaes”. Dr Nevin works with animator Steve K. Simons on the Panoply Vase Animation Project, making short educational animations from real ancient artefacts. Where an ancient amphora shows the hero Heracles holding a boar, the animation shows him capturing it; where another vase shows the rainbow goddess Iris, the animation shows her flying, leaving rainbows streaking behind her. Five vase animations and four short documentaries were created for the Our Mythical Childhood project. They are based on five Greek vases from the collection of the National Museum in Warsaw. Now the animations and documentaries have been joined by Teaching Ancient Greece which transforms watching into a multitude of activities.

Dr Sonya Nevin with her book and the famous Sappho vase (no. 142333) in the National Museum of Warsaw.

Teaching Ancient Greece contains activity sheets, including ones for learning the Greek alphabet, matching gods to their symbols, and for colouring in vases and creating new vase designs. These are joined by a set of ready-to-use lesson plans for teaching about the ancient world. Created by experienced educators all over the world, each lesson plan contains an introduction, a lesson including one of the animations, and an exciting activity to extend the learning experience. The target audience is secondary school pupils, but the lessons can all be adapted for older or younger groups.

Left, an ancient Athenian vase depicting the poet, Sappho, and (right) a screenshot from the animation created from that vase.

Igor Cardoso in Brazil created a lesson about the poet Sappho, with writing activities about facing difficult situations. Ancient music specialist Aliki Markantonatou in Greece brings us a lesson on composing lyric poetry. This complements her recording of a unique version of one of Sappho’s poems, based on the music that the ancient poem would have been sung to. Ron Hancock-Jones in the UK used the Sappho animation to develop a lesson on marriage and relationships in ancient Greece. Chester Mbangchia in Cameroon created a lesson that introduces the god of drama, wine, and transformation – Dionysus. Theatre facilitator Olivia Gillman in the UK used the Dionysus animation as the basis for a drama class. Barbara Strycharczyk of “Strumienie” High School in Poland established a project for pupils in multiple years of the school who each worked towards an exhibition about the hero Heracles. Jessica Otto, in Germany, used the Heracles animation to show how stories can be represented and decoded through visual clues. Sonya Nevin offers several lessons on learning to “read” the images in Greek pottery, including one on the Libation animation, which shows the gods Zeus and Athena performing a libation sacrifice. Michael Stierstorfer in Germany used the same animation in a lesson about sacrifice in ancient Greece: what was done, how, and what it all meant. As for Iris, Dean Nevin in Switzerland brings us a writing challenge – messages for the rainbow messenger goddess to carry. Terri Kay Brown in New Zealand (Aotearoa) created an introduction to anthropology – a chance to compare different cultures’ myths about the rainbow and to consider what is indicated by the differences and similarities between them.

Right, a vase made in Athens in around 450 BCE, depicting the rainbow goddess Iris (no. 142289), and left, a creative version of the vase made by Temperance, aged 7, Ireland, using an activity sheet from the book.

Other lessons explore the world of museums themselves. Museum educator Jennie Thornber in the UK offers a lesson for exploring museums in person or online and taking on the role of a curator. A PowerPoint on the Panoply site is one of several providing extra support for these activities. Louise Maguire in Ireland set an alternative curator’s challenge, asking learners to consider factors such as planning, budget, and accessibility in planning exhibitions.

The book includes a detailed guide to making stop motions.
The vase (no. EXC243) used in the Dionysus animation and the storyboard used to plan it. Storyboarding is a great way for students to revisit what they have learned in a creative way.

Perhaps all this talk of animation makes you feel like having a go at making your own stop-motion animation. Christina DePian, a museum educator based in Greece, provides a detailed and accessible guide to making stop motions. Accompanied by a set of animation resources, this guide makes it easy for anyone from 5 to 105 to try animation and create their own version of antiquity.

Teaching Ancient Greece is an action-packed set of resources to make learning enjoyable, challenging, and memorable. Download your free copy here:
https://www.wuw.pl/product-eng-19615-Teaching-Ancient-Greece-Lesson-Plans-Vase-Animations-and-Resources-PDF.html

Post by the OMC Team, placed by Olga Strycharczyk.

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Our Mythical Childhood website (ERC Consolidator Grant): http://omc.obta.al.uw.edu.pl/

The Modern Argonauts website (ERC Proof of Concept Grant): https://modernargonauts.al.uw.edu.pl/