What Do Poseidon and Maserati Have in Common? [ENG/PL]

Poseidon and his trident, Corinthian plaque, 550–525 BC from Penteskouphia (a Greek village near the ancient city of Corinth), phot. Jastrow, 9/10/2006, Wikimedia Commons, Public Domain. Illustration used in student presentations (taken from Irene Di Gioia’s lesson).

The project was realized as a lesson based on materials received form the Faculty of “Artes Liberales”. The class 1TB under my guidance tested the lesson about Poseidon (Meet Poseidon), according to the texts, illustrations, and other teaching aids provided by Ms Irene Di Gioia (Universities of Bologna and Göttingen). The purpose of the lesson was to get to learn about the figure of Poseidon and his Roman counterpart Neptune, follow his presence in culture, and at the end of the exercise, prepare a creative task reflecting our concern about restoring nature and counteract marine pollution in the modern world. We concluded the lesson with a test I prepared in the Kahoot app, which allowed the students who completed it to win small gifts bearing mythological names.

In preparing for the 90-minute-long lesson, I decided to share some of the tasks with the students using Ms Di Gioia’s materials as the basis for our discussion about Poseidon. The learning methods I used for this lesson were:
– a lecture and a discussion with a multimedia presentation,
– tasks divided among groups focusing on a specific topic,
– role playing,
– production of a movie,
– a brainstorming.

The lesson started with a presentation by the teacher – based on available materials: I prepared a Power Point introduction to the lesson including content related to what mythology is, what we need it for, and what influence it has on us. I have also shown what influence – although we often do not see it – ancient culture had on later culture, the surrounding world, and contemporary pop culture (Shakespeare’s plays, The Avengers, the X-Men, certain models of cars).

Statue of Neptune in Bologna by Giambologna, phot. by Monia Mascagni, 2019, Wikimedia Commons, under the Creative Commons Attribution-Share Alike 4.0 License. Photograph used in student presentations, taken from the lesson by Irene Di Gioia.

After my presentation, the students shared the materials they had prepared. One of them played the role of Poseidon and presented this character. Others in the form of presentations introduced: symbology of horses and earthquakes, the image of Poseidon in art and pop culture, the history of Odysseus’ conflict with Polyphemus and the link between this story and the power of Poseidon, the history of the Maserati car brand (its creators – brothers from Bologna who referred to Poseidon). The last activity was the brainstorming, when we were writing down on the board contemporary threats to the seas and reflecting on how we can “help Poseidon” today and protect the cleanliness and good condition of the oceans.

During their work on the tasks, students had to cooperate in order to achieve successful results, especially when making the film based on the myth about Odysseus’ meeting with Polyphemus. Those preparing their presentations had to make a selection among the provided materials, and decide on the optimal graphic form and attractive manner of communication. As it commonly happens in such situations, some students succeeded very well, others limited themselves to an absolute minimum. I supervised the course of the lesson without intervening in the presentations. I noticed that even though the lesson was not open to outside observers and attended only by members of the class, it was still a stressful situation for the students.

Student giving a presentation on Poseidon, from Natalia Konieczna’s archive.

My assessment of the implementation of “The Modern Argonauts” programme is very positive. The students gained from it educationally, but not only – their were motivated by the opportunity to take part in an international project and by the perspective of sharing their impressions as feedback for the handbook including the lesson they implemented, which will be published in Open Access. They also acquired the experience of coping with a public appearance even though on a small scale of performing in front of a small group with which they were already familiar.

As a teacher, I also benefited in many ways from taking part in the project. I realized that combining various methods and mobilizing students impacted their approach to learning; putting an emphasis on their agency and encouraging them to act improves their self-esteem and expectations of success in the area of humanities (beyond mechanics which is the focus of the school). I also saw which aspects I need to work on – mainly those related to improving motivation to act (the entire class could not be successfully mobilized, there were students who did not get involved at all).

Student giving a presentation on Poseidon, from Natalia Konieczna’s archive.

The “Modern Argonauts” project encouraged me to be open to further commitments, and if such opportunities came up, to engage with my students in similar projects. In my opinion, a contemporary school should challenge students in various ways – especially if it is a school like “Samochodówka” [a secondary technical school for motor vehicles]. It is important for education not to be limited to teaching strictly the core curriculum but to engage also in activities going beyond the school’s main obligations (for both students and teaches) and including a broader perspective. At a vocational school, it is easy to neglect or ignore non-core issues; the students many times approach learning with a narrow mind-set focused on “just to get the diploma, just to pass the exams”. Participation in projects like this one introduces a broader perspective and creates motivation to venture into diverse activities, at the same time, building a better relationship between teachers and students.

For more information about “The Modern Argonauts” project, see the following websites:
https://modernargonauts.al.uw.edu.pl
https://en.uw.edu.pl/first-erc-proof-of-concept-grant-in-polish-humanities

Natalia Konieczna
Polish language teacher
at the Bolesław I the Brave School Complex No. 10 in Koszalin

Post by Natalia Konieczna, translated and placed by Olga Strycharczyk, proofread by Elżbieta Olechowska

The Dream of Ithaca [ENG/PL]

We approached the implementation of the Calypso lesson with great curiosity – the “Modern Argonauts” project is unlike other projects we participated in in previous years. We, therefore, explored the submitted materials, used them in class, and then did one of the creative exercises suggested by the Author of the scenario. The character of Calypso really spoke to us, especially after reading the “Odyssey” and after discussing the female figures created by Homer. Therefore, we decided to re-tell the Calypso story in our own way. One of the created stories is “The Dream of Ithaca”.

Hanna Ryznar: For the purpose of the project, together with Miriana and Ola (Aleksandra) we wrote a song entitled “The Dream of Ithaca”. I wrote the lyrics in Polish, Miriana composed the melody, and Ola designed the cover. The lyrics of the song are a letter from Calypso to Odysseus. The nymph explains in it her longing for the beloved who left her isle of Ogygia to return to his wife waiting for him in Ithaca. Calypso, despite the immense suffering, caused by the departure of her lover, knows that Odysseus must go back home because only there can he be truly happy. I was inspired to write the text by the mythical story of Calypso told by Homer in the “Odyssey”.

Miriana Jędrasik: I intended the melody to resonate with how Calypso must have felt when writing this letter. It is nostalgic, but also emotional and touching.

Aleksandra Winiarska: The inspiration for my illustration was a picture by the famous painter Jules Breton. The woman waiting for Odysseus at home is knitting, trying to keep her thoughts occupied so that she can forget the suffering for a while.

lyrics: Hanna Ryznar
music: Miriana Jędrasik
cover image: Aleksandra Winiarska


Sen o Itace

Do realizacji lekcji o Kalipso przystąpiliśmy z wielką ciekawością – „The Modern Argonauts” to projekt odmienny od tych, w których braliśmy udział w poprzednich latach. Zapoznaliśmy się zatem z nadesłanymi materiałami, wykorzystaliśmy je podczas zajęć, a potem wykonaliśmy jedno z ćwiczeń kreatywnych zaproponowanych przez Autorkę lekcji. Postać Kalipso bardzo nam się podobała, zwłaszcza po lekturze „Odysei” i po rozmowach na temat stworzonych przez Homera postaci kobiecych. Postanowiliśmy zatem opowiedzieć historię Kalipso na nowo, na swój sposób. Jedną z powstałych opowieści jest piosenka pt. „Sen o Itace”.

Hanna Ryznar: Na potrzeby projektu razem z Mirianą i Olą stworzyłyśmy piosenkę pod tytułem „Sen o Itace”. Ja napisałam tekst, Miriana skomponowała melodię, a Ola stworzyła projekt okładki. Tekst piosenki to list Kalipso do Odyseusza. Nimfa wyraża w nim swoją tęsknotę za ukochanym, który opuścił jej wyspę Ogygię, aby powrócić do żony, czekającej na niego na Itace. Kalipso, pomimo ogromu cierpienia, jakie sprawiło jej odejście ukochanego, wie, że Odyseusz musi wrócić do domu, ponieważ tylko tam może być prawdziwie szczęśliwy. Do napisania tekstu zainspirowała mnie mityczna historia Kalipso opowiedziana przez Homera w „Odysei”.

Miriana Jędrasik: Chciałam, aby melodia komponowała się z tym, jak musiała czuć się Kalipso, pisząc ten list. Jest nostalgiczna, lecz także emocjonująca i wzruszająca.

Aleksandra Winiarska: Inspiracją dla mojej ilustracji był obraz słynnego malarza Jules’a Bretona. Kobieta, czekając na Odyseusza w domu, zajmuje się robieniem na drutach, stara się zająć własne myśli, aby na chwilę uwolnić się od cierpienia.

tekst: Hanna Ryznar
muzyka: Miriana Jędrasik
ilustracja na okładce: Aleksandra Winiarska

Post przygotowany przez Annę Wojciechowską, Mirianę Jędrasik, Hannę Ryznar i Aleksandrę Winiarską, przetłumaczony i zamieszczony przez Olgę Strycharczyk, korekta wersji angielskiej: Elżbieta Olechowska